The Catacombs Episode Guide

The Full Circle

Year 1 - Episode 15

Screenplay by Jesse Lasky, Jr.
Pat Silver
Directed by Bob Kellett
France/Canada Le grand cercle The Big Circle
Spain El circulo completo
Germany Die Steinzeit-Falle The Stone Age Trap
Italy Circolo chiuso The Closed Circle
Japan Attack of Primitive Space Cavemen
Portugal O Círculo Fechado The Closed Circle
Poland Tajemnica mgly

The centuries roll back for the occupants of the moon through a time warp of 40,000 years to the Stone Age, and meeting up with themselves as cavemen.

Background

  • According to Bob Kellett, he rewrote most of the script. He also pushed for the crew to do an exterior location (the only prior exterior shooting was one scene in the studio car park in The Last Sunset). The location was Black Park, near Pinewood Studios (also used for Matter Of Balance and Rules Of Luton in Year 2). As it was November 1974, it was cold and wet with authentic mists.
  • Shooting script 17th September 1974
  • Filmed 24 September- 8 October 1974
  • Insects bit Zienia Merton's legs, and to keep warm she was given brandy- which made her fairly drunk. Bob Kellett insisted the leopardskin dress she wears be an authentic skin which she had to tie on with no underwear. When slumping against the tree at the end of the chase she kept falling out of it.
The Full Circle

Cast

Commander John Koenig Martin Landau
Doctor Helena Russell Barbara Bain
Professor Victor Bergman Barry Morse
Paul Morrow Prentis Hancock
Alan Carter Nick Tate
Sandra Benes Zienia Merton
David Kano Clifton Jones
Doctor Bob Mathias Anton Phillips
Operative Kate Sarah Bullen
Main Mission Operatives Andy Dempsey
Mike Stevens
Annie Lambert
Robert Phillips
Copilot
Sandos Alan Meacham
Guard (n/s) Tony Allyn
Medics
Alpha Nurse Chai Lee
Spearman Oliver Cotton

Sets

Int. Main Mission
Int. Command Office
Int. Medical
Int. Eagle Pilot Section
Int. Eagle Passenger Section

Ext. Planet Surface (locations)
Ext. Planet Surface Mist Entrance (studio)
Ext. Planet Surface Mist Area 2 (studio)
Int. Cave

SFX

  • Three Eagles are seen together in two of the landing shots; one is obviously a cardboard cut-out (only two 44" Eagles existed at the time).
The Full Circle

How a special effects shot is put together: the Eagle, atmosphere and stars, and planet are all separate exposures.

SFX shot SFX shot SFX shot SFX shot SFX shot

Music

Original score by Barry Gray, composed and arranged in Guernsey. Recorded at Wembley on Tuesday 3rd December 1974.
Library track from Thunderbird 6 by Barry Gray

Science

  • Cro Magnon were the first modern men, contemporaneous with and displacing the Neanderthal. The name comes from the rock shelter of Cro Magnon in the Dordogne Valley in France, in which skeletons were discovered in 1868. The Cro Magnon existed from 35000-32000 years ago. Their culture, termed Upper Palaeolithic, included sophisticated stone, bone and horn tools, the first spears and whistles, and the first cave paintings.
  • As they were identical to modern humans, they could speak. From the evidence of their art and tool making, and regional trade, they must have had language. The depiction of the grunting cave dwellers in this episode thus does them a disservice.
  • The time warp also changes clothes and hair (beards suddenly appear), and instantly gives them a social structure and hunting skills (note the pit trap and mammoth tusk).
  • The nights at the landing site are 2 hours long. Evidently Retha is tilted on its axis, perhaps more so than Earth. Hence during the summer, days are longer and nights are shorter. Perhaps the Alphans also landed at higher latitudes, where the effect is more pronounced (within the tropics it is always about 12 hours day, 12 hours night).
The Full Circle

Continuity

Chronology:

From when the rescue mission sets out, they are in range of the planet for 3 days. When Koenig has been returned to Alpha Medical Center, there are less than 2 days left.

Alpha Personnel:

1 fatality, Sandos.

Alpha Technology:

  • The stun gun is called a ray gun by Bergman. Note it makes rocks explode. This is the first appearance of the STUN/ KILL slider.
  • After Alan is stunned he gets up almost immediately (a long range stun is lower power?)
The Full Circle

Eagles:

Eagle 1 (Koenig); 2 (Alan); 3 (Victor); 6 (original landing party)
The Full Circle

Planets:

Retha.

Aliens:

None

Footage:

Errors

The Full Circle
Kano and Bergman's Eagle 3 is seen first with the tube to port (this shot). It launches with the tube to starboard.
The Full Circle
The wooden edge of the false ceiling is visible top right.
The Full Circle
The Eagle on the left is a 2-dimensional cut-out.
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The position of the Eagles in the four landing shots are inconsistent. When Alan's Eagle lands next to Koenig's (middle picture), Koenig's Eagle has moved to the right (relative to the hill beyond). When Bergman's Eagle lands in the next two landings, Alan's and Koenig's Eagles have moved left sharply.
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When landing, the Eagles move to the correct position. Only then does the Eagle fire the vertical retros (with sound effects and kicking up much dirt), and then descend. As seen in the last landing (when Bergman returns), the vertical retros stop (again, with sound effects) before the Eagle has fully landed- it gently floats down the last few metres as the dust clears. Thunderbird 2 in Anderson's series Thunderbirds also landed this way.

Observations

  • Unusually, the title cards (episode title and credits) do not immediately follow the series titles; instead Koenig briefs the others, and the captions only appear when the Eagles leave.
  • We see a shaking tree and a large footprint and hear animal cries, but the dinosaurs are never seen. The cave people have a large mammoth tusk, paint bison and have built pit traps, so they have evidently encountered the wildlife.
  • Barbara Bain's daughter Julie brought home her first boyfriend during the filming of this episode. Unfortunately her mother was still in cave woman make-up, practicising her blood curdling screams.
  • Although Sandra sleeps in the Eagle she gets kidnapped. Is it wise that Bergman, Kano and Alan camp outside the next night?
  • A focus on characters and humour ("Give my love to Sandra" "Not if I can help it" "I hate backseat drivers")
  • The core idea of the episode is good ("I'd really like to know how much we've changed over all that time"; communication) but the grunting cavemen are difficult to take seriously.
Thanks to Mark Shaw. Click for larger image (46k)
The Full Circle

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Contents copyright Martin Willey