Production GuideObservations: The Taybor
Production Guide
When Taybor first talks to Maya, Tony is immediately behind her in the close shots (and apparently leaning on her desk), but in long shots he is stood a bit further beyond. Thanks to Thomas.
Taybor's trading licence is written in English (TL no 490/C13); in the box marked "signature", Taybor writes his name in an italic script. The noun "licence" is used in the British English spelling; the American spelling would have been "license".
The necklace that Taybor presents to Maya to mesmerise her is similar to the necklace she wore earlier at the dinner party. Actually they are different, but they are both silver sun-flower shapes.
When Taybor falls from his chair drunk, his wig slips slightly. Thanks to Thomas.
In certain shots of the Big Screen (actually the model version), the lights are turned off. In adjacent shots, the lights are on as normal. It occurs during close ups of Taybor after the Maya robot explodes, and shortly later after Taybor learns Maya is a transmorph. Thanks to Michael Thompson.
Maya routinely changes into alien monsters, so changing into something that Taybor doesn't like would be simple. Koenig's subspace message tells Maya something that she should be aware of. Why does the ugly human form cause the glass cage to shatter?
Copyright Martin Willey