The Catacombs Episode Guide

Matter of Life and Death

Year 1 - Episode 2

Screenplay by Art Wallace
Johnny Byrne
Directed by Charles Crichton
Guest Artist Richard Johnson
Original Title Siren Planet
Germany Rückkehr der Toten Return Of The Dead
France/Canada Question de vie ou de mort Matter Of Life Or Death
Italy Questione di vita o di morte Matter Of Life Or Death
Japan Living dead in Space
Poland Sprawa zycia i smierci
Portugal Questão de Vida ou Morte Question Of Life Or Death
Spain Materia de vida y muerte
Sweden Antimateria Antimatter

A man returns from the dead and promise of a new civilization on a planet resembling earth opens for those stranded on the runaway moon. But there is drama ahead.

Background

  • Original script "Siren Planet" by Art Wallace involved the return of Helena's husband, Telford. But this was an illusion created by the inhabitants of the planet.
  • The Wallace script was based on an earlier format of the series, so Johnny Byrne wrote a new script, using the concept of the return of Helena's husband.
  • Shooting script dated 8th January 1974. Filmed from 14th January- 30th January 1974.
  • During the filming of one Terra Nova scene, everybody stopped when they heard Charles Crichton call "Cut!". But it wasn't Crichton- it was one of the parrots.
  • This episode was the first to be completed; the original print had different titles and credits but is otherwise identical. This print was released to US stations as a preview copy in 1974 and still resurfaces occasionally.
Matter Of Life And Death

Cast

Commander John Koenig Martin Landau
Doctor Helena Russell Barbara Bain
Professor Victor Bergman Barry Morse
Paul Morrow Prentis Hancock
Alan Carter Nick Tate
Sandra Benes Zienia Merton
David Kano Clifton Jones
Doctor Bob Mathias Anton Phillips
Tanya Aleksandr Suzanne Roquette
Main Mission Operative Christopher Matthews
Main Mission Operative Jeremy Anthony
Main Mission Operative (Anna Wong) Chai Lee
Alphan Alan Harris
Main Mission Operative Andy Dempsey
Main Mission Operative (Lee Oswald) Loftus Burton
Security Guard (Tony Allan) Tony Allyn,
Security Guard (Pierce Quinton) Quentin Pierre
Orderly Chris Williams
Orderly Saad Ghazi
Computer Voice Barbara Kelly
Parks Stuart Damon
Bannion John Oxley
Lee Russell Richard Johnson

Sets

Int. Main Mission
Int. Command Office
Int. Care Unit
Int. Autopsy Room
Int. Helena's Quarters
Int. Victor's Quarters
Int. Alpha Corridor
Int. Travel Tube
Int. Eagle Pilot Section
Int. Eagle Passenger Section

Ext. Planet Surface

Main Mission is in the early layout with steps to the viewports (there is a slight change in Ring Around The Moon; the new layout is in Earthbound).

The Care Unit reappears in Ring Around The Moon

Helena's quarters are seen again (in a different form) in Dragon's Domain

SFX

Matter Of Life And Death Matter Of Life And Death Matter Of Life And Death Matter Of Life And Death Matter Of Life And Death

Music

Original score by Barry Gray, recorded at Wembley on Thursday 14th March 1974. This was actually the first episode scored (Breakaway was recorded the following day).
One track (the guitar solo as the guards rush to the Care Unit to restrain Russell) was written and performed by Vic Elms.

Science

  • Antimatter is also used as a plot device in A Matter Of Balance. Antimatter is composed of subatomic particles (protons, electrons) with an opposite electric charge ("reversed polarity" is an accurate technical description). When normal matter and antimatter particles collide they are destroyed, releasing large amounts of energy.
  • Koenig's line "It takes billions of years for a human being to adapt that radically" is an exaggeration: the timescale is more likely millions of years.
Matter Of Life And Death

Continuity

Chronology:

Alpha Personnel:

0 fatalities.

Alpha Technology:

Matter Of Life And Death

Eagles:

Eagle 1 (Parks); 2 (landing party)

Planets:

Terra Nova

Matter Of Life And Death

Aliens:

When asked if Terra Nova is inhabited, Lee Russell answers "No. Yes. Not in the way you think." Which may mean the planet is inhabited, but the life forms are not recognisable.

Props:

Cast:

Matter Of Life And Death

Errors

Matter Of Life And Death
In some scenes, Koenig's commlock is missing button 1. This prop was in use until Collision Course
Matter Of Life And Death
Eagle 1 (Parks and Bannion) lands on the launch pad with portside to the docking tube. The subsequent shot shows it docking to the starboard side. Note also in this shot (close by the front of the Eagle) that the ship is very far from the tube and has in fact landed way off the cross markings.
Matter Of Life And Death
During the in-show credits we see the medical crew in the travel unit moving to the launch pad. The gurney has no mattress (the director shoots the scene through the frame).
Matter Of Life And Death Matter Of Life And Death

In this scene we see Koenig's desk is centered in the path of the Main Mission doors. In the next camera angle, showing Koenig, he is able to close the doors behind him.

Matter Of Life And Death
After the landslide, the wind blows across the scene, moving a few "rocks" (by Koenig's head).
  • The Computer text is different from the dialogue: the text reads "Resources capable of sustaining human life", the dialogue heard is "Resources to sustain human life unlimited."
  • Wouldn't an experienced astronaut like Koenig recognise a member of an important space mission, even if he didn't know them personally? (Subsequent episodes suggest whole missions were not widely known, so this may not be surprising).
  • The Phase 2 Eagle is shown from a high view as the docking tube retreats from the starboard. It launches with the portside to the tube.
  • In the countdown to Phase 2 Eagle launch, there is an eight second interval between Alan saying "Seven seconds" and when he says "Five seconds."
Matter Of Life And Death

Observations

Matter Of Life and Death strongly echos Stanislaw Lem's 1961 book Solaris (English translation 1970, filmed by Andrei Tarkovsky in 1972; the 1997 film Event Horizon also borrows elements). Terra Nova is like Solaris, a remote planet able to recreate spirits from the past. In both, a facsimile of the main character's dead spouse is created (in the filmed episode he is the real husband of Helena, but in the Siren Planet script, like Solaris, he is merely an image). Like the Siren Planet script, the book's end includes a reunion with an estranged father (here Koenig's father). The themes are similar; the difficulty of communication with a truly alien form, the limits of human comprehension. "We're a long way from home. And we're going to have to start thinking differently if we're to come to terms with space."

While the book and film delve into memory and ideas of self, the Space 1999 treatment is much less subtle. Siren Planet plays as an adventure, with the aliens tricking the Alphans from the planet, while Byrne's script is a science fiction mystery as the physical form of Lee is too weak and inarticulate to explain their situation.

Structurally the episode is flawed, with much disorienting and incoherent movement between rooms to establish minor plot points. Furthermore it is overly vague; why doesn't Lee just say "The planet is antimatter"? Why are Helena or the autopsy doctors electrocuted? Act 4 improves immensely, establishing idyllic pastoral scenes and then a rapid disintegration into chaos. The resolution, winding back time to before the chaos, is unsatisfying (War Games has a similar "it was all a dream" ending, but is better done).

Koenig's concern and caution is well played (overt jealousy would have been a mistake). Helena admits she is just "numb"- although there are some hints of confusion and distraction, her blankness is uninvolving and uninteresting, wasting the emotional opportunity of the plot.

Direction and cinematography especially noteworthy; unusual camera angles and wide, expansive panoramas are characteristic of Charles Crichton.

Matter Of Life And Death Matter Of Life And Death
On some prints (such as that used on the US laserdiscs), the typography for Rudi Gernreich's credit is in the Braggadocio font. In other prints (such as the DVDs), it is in Futura book, consistent with the other credits. Braggadocio is similar but not identical to Futura Black, used for the This Episode caption.
Matter Of Life And Death Helena Russell

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Contents copyright Martin Willey