The Catacombs Episode Guide

The Last Enemy

Year 1 - Episode 18

Screenplay by Bob Kellett
Directed by Bob Kellett
Guest Artist Caroline Mortimer
Original Title The Second Sex
Belgium (Flemish) De laatste vijand The Last Enemy
France/Canada Le dernier adversaire The Last Enemy
Germany Zwischen 2 Planeten Between 2 Planets
Italy Nemici invisibili Invisible Enemies
Japan Space Battleships, Launching the Missiles!
Netherlands De laatste vijand
Portugal O Último Inimigo The Last Enemy
Spain El ultimo enemigo

Moonbase Alpha finds itself caught up in a war between two planets -and the wiles of a beautiful woman.

Background

  • According to Bob Kellett, the idea of the episode was suggested by Barbara Bain, although he was not clear what she really wanted for the story.
  • Shooting script titled "The Second Sex" 25th October 1974
  • Script title was revised first to "The Other Enemy", then "The Last Enemy", probably during shooting
  • Filmed 8 November- 19 November 1974, additional sequences filmed 25 February- 27 February 1975
  • Problems with the episode meant Johnny Byrne scripted new scenes which were filmed later (notably the ending). These were filmed in February 1975, after Testament Of Arkadia
The Last Enemy

Cast

Commander John Koenig Martin Landau
Doctor Helena Russell Barbara Bain
Professor Victor Bergman Barry Morse
Paul Morrow Prentis Hancock
Alan Carter Nick Tate
Sandra Benes Zienia Merton
David Kano Clifton Jones
Doctor Bob Mathias Anton Phillips
Operative Kate Sarah Bullen
Operatives Clair Lutter
Andy Dempsey
Andy Sutcliffe
Laurie Davis
Eagle Pilot 2 (voice only) Shane Rimmer
Eagle Pilot 5 John Lee-Barber
Guards Tony Allyn,
Quentin Pierre
Robert Case
Dione Caroline Mortimer
Theia Maxine Audley
Talos Kevin Stoney
First girl Carolyn Courage
Second Girl Linda Hooks
Third Girl Tara Faraday
Male Alien (cut from final print) Alan Bennion

Sets

Int. Main Mission
Int. Command Office
Int. Sandra's Quarters
Int. Alpha Corridor
Int. Travel Tube
Int. Airlock
Int. Eagle Pilot Section

Ext. Moon surface (CU of moonbuggy)

Int. Bethan Room
Int. Satazius

SFX

  • The first major use of a matte painting, for the Bethan surface.
  • Brian Johnson's idea was that both Bethan and Deltan ships be the same design, and the same model in different colours. Unfortunately, both ships would be indistinguishable on black and white TVs (which were still widespread in Britain at the time). Hence an existing model was drafted in at a late stage for the Deltan ship. The Bethan Satazius was originally painted green, but then repainted yellow for a number of publicity shots (in combat with the 11" Eagle, and over Alpha with the War Games Hawk). Before filming it was repainted green again.
  • The alien bomber was previously seen in Alpha Child and War Games was revamped as the Deltan ship. It would be seen again (in its original form) in Dragon's Domain. The nose piece would appear in The Metamorph.
  • The egg-shaped lifeboat was originally designed to drop from the underside of Satazius. The rockets are egg cups. It was seen again in The Metamorph.
  • The missiles had a capsule from The Last Sunset as their top, joined to salt cellars.
  • The close-up hull sections were reused. The Bethan lifeboat platform is the Deltan gun platform.
  • The Deltan gun model reappears as an Alphan gun (perhaps salvaged?) in The Dorcons.
  • In the This Episode clips but not the episode, we see the Alphan laser tanks only used in The Infernal Machine.
  • Only the left hand portion of the Delta matte painting is visible in the episode- the right hand side is seen only in the This Episode clips.
The Last Enemy The Last Enemy
The Last Enemy The Last Enemy Click for larger image
  • Publicity pictures of the Satazius with the 11" Eagle model were taken before filming (showing the original yellow colour). Other pictures of the Satazius with the Hawk over Moonbase Alpha were also taken.
Publicity picture
Publicity picture Publicity picture

Music

Library track: "Cosmic Sounds No. 3" composed by Georges Tperino (Chappell Recorded Music Library)

Science

  • Rockets do not need a straight line of fire- in fact gravity will curve every trajectory. Current space probes bound for Mars or Venus typically reach their destination approx. 180 degrees (half an interplanetary orbit) away from the starting point. So reaching a planet permanently hidden by the sun would not be particularly difficult. For most of the journey, until it reaches the target, the missile would also be visible and course corrections could be made.
  • The orbit of Betha and Delta is a typical "Lagrange L3" orbit. It would be stable only if there are no other major planets or stars in the vicinity (gravitational forces closer to one planet would slowly pull it away from its current position while the more distant planet would be less affected).
  • Rockets do not need a substantial platform from which to launch (in fact the gravity will mean they need more fuel and more powerful boosters).
  • The Alphans cover their ears from the sound of the rocket barrage. The technique of lying down on toes and elbows is used on navy battleships. In the vacuum of space there is no sound, but as the Satazius is on the lunar surface the vibration would be transmitted to the Moonbase.
  • The Bethans wave hands over controls- a typical Keith Wilson device.
  • There is a reference to "some kind of ultrasonic magnetic distortion". Ultrasonics (sound frequencies beyond human hearing) cannot travel through the vacuum of space.
  • The gyromagnetic ratio has an anomalous factor two when applied to electron spin. The Landé g-factor expresses the... In physics, the gyromagnetic ratio of a particle is the ratio of its magnetic dipole moment to its angular momentum. The spin of an isolated election is quantum-mechanical, so classical physics are wrong by a dimensionless quantity called the "g-factor"- the value is just over 2. The Landé g-factor is a particular example of a g-factor, namely for an electron with both spin and orbital angular momentum. It is named after Alfred Landé, who first described it in 1921.
The Last Enemy

Continuity

Chronology:

Alpha Personnel:

0 fatalities.

Alpha Technology:

Eagles:

Eagle 1 (Alan); 2,5
The Last Enemy

Planets:

Betha and Delta
The Last Enemy

Aliens:

Theia, Dione and her crew from Betha; Talos from Delta. Both planets humanoid.

The Last Enemy
The Last Enemy

Props:

The Last Enemy
The Last Enemy

Errors

  • Both planets are clearly on the same side of the sun in SFX shots
  • Moonbase Alpha computer panels can be seen behind the distorting glass in the Satazius.
  • Dione is very obviously in motorcycling helmet and gear.
The Last Enemy
The Last Enemy
In some scenes Dione has a higher fringe and badly fitting false eyelashes. This is because some sequences were shot several months apart. Thanks to Ed Carlyle.
The Last Enemy
On her return to Satazius, Dione answers Koenig's call wearing a yellow sash; she wasn't wearing it moments earlier, as she talked to Theia. Later she wears a thick black scarf. Thanks to Ed Carlyle.
The Last Enemy
When the Deltan ship explodes, one brief shot actually shows the Satazius.
The Last Enemy The Last Enemy

Koenig looks through his binoculars to see the missiles strike Delta, then turns to Helena and Victor who have joined him to state "It's bombarding the right hand planet." The shot of Koenig is actually of a ground level window, either in Main Mission or his office. The wall is vertical (see especially the top section illuminated red by the lights), while the balcony has a sloping roof immediately over the window. Thanks to Craig Rohloff.

The Last Enemy

When she screams at the end of the episode, Dione is seen to have amalgam fillings in her teeth.

The Last Enemy The Last Enemy

Presumably the helmet falls off the astronaut suit because of the vibration from the rocket launches as it nears the Satazius. However, as Anthony D points out, the oxygen tube for the helmet somehow also detaches and disappears.

Observations

  • The title is in reference to 1 Corinthians 14:26 "The last enemy that shall be destroyed is death"
  • Dione was in very early Greek mythology the consort and female equivalent of Zeus. Later she became a female Titan and mother of Aphrodite.
  • Talos is a name from two Greek legends. One is a pupil of Daedalis who surpassed his teacher's skill and was thrown into the sea by him. The other is the bronze man made by Hephaestrus for Minos to guard the island of Crete.
  • The script emphasises how seductive Dione draws the men to her, while Helena is deeply suspicious (this is also reflected in Rankine's novelisation). The sex war becomes a more explicit one on screen: all the Bethans are women, the only Deltan we see is a man.
  • In the script, the Bethans want the Deltan resources, but on screen their aim is more vague and the war meaningless (the Deltans are "unreasonable").
  • The ending and many scenes of Dione in Satazius were not in the script (Koenig just gives Talos the coordinates of the Satazius).
  • Zienia Merton wrote Martin Landau a note during filming of the episode. "When I volunteered for this job it was on the understanding I would have private quarters and I'm not sharing with a ruddy alien."
  • The Alpha Computer is hacked, which must explain why Dione refers to the "Eagles".
  • Helena says "John, the casualties. We can't take much more!". Yet at the end she states there are only "5 cases of middle ear damage". Perhaps she was worried about potential casualties in the earlier remark. Thanks to Tim Washburn.
The Last Enemy

Above: cut SFX scene, seen in the Fanderson Space: 1999 documentary (1996) and Message From Moonbase Alpha. The nebula distracts from Betha and Delta.

Cut SFX: A longer version of the Satazius leaving orbit, with Betha rotating below it.

  • In 1979 the US TV series Wonder Woman used footage of the Satazius over Alpha in the episode Time Bomb
  • In 1985 the pop video for "Clouds Across The Moon" by The Rah Band had footage of the Satazius landing on the Moon.
  • In November 1986, a clip from the episode was used in a set of questions for the TV quiz Telly Addicts
The Last Enemy

Merchandise:

Links

External Links


Contents copyright Martin Willey